Recent Production
The Immortal Hour is a play written in 1899 by Fiona Macleod. A few years later the composer Rutland Boughton composed an opera of based the play which premiered in 1914 at The Assembly Rooms of Glastonbury. Now the piece is reborn with all new music composed by Greg Dinunzi (The Blackbird) as a musical theater work with a small chamber ensemble. This new reimagining of The Immortal Hour and produced by The Modern Theatre of Myth, returned to the Assembly Rooms on March 16, 2025 to a sold out house.
“...gives new life to a remarkable classic work for a new age of the world.”
“The music offers the listeners an experience which allows them to hear Fiona Macleod’s magical poetry as they never have before.”
The CD of the new production (2025)
“The Blackbird present something unusual, a live connection between the past and the present on “The Lordly Ones”. There are songs that entertain, and then there are songs that seem to have been waiting for well over a century to exhale. Based on the text of Fiona Macleod’s play, the piece is infused with that lyric mysticism so beloved by a previous time, but newly illuminated by music commissioned from Greg Dinunzi. “The Lordly Ones” is a chamber-folk meditation. From there, the song’s glowing core of nylon guitar and vibraphone generates a gentle shiver that is at once intimate and otherworldly. All around them, cello and viola provide warmth and gravity, bass clarinet and subtle percussion shadow and pulse. And the orchestration is reverent, thoughtful, each instrument arrives like a careful footstep in sanctuary. It comes from a fresh, new original score of The Immortal Hour that was performed at The Assembly Rooms of Glastonbury. It didn’t feel like a premiere so much as it did a communion, an audience hushed to hear something eternal rendered anew. “The Lordly Ones” acoustic textures give space for the language to breathe, honoring Macleod’s lines but surrounding them in a soundscape that sounds both grounded and incandescent. Leave it to The Blackbird to remind us with this record that some fables never age, they just wait for new hands, new strings, and new air. ”
Unfortunately, at the moment, Physical CDs cannot be shipped to the US due to unreasonable shipping costs. We are still looking for a solution.
Listen to the CD Here:
The CD of the new production (2025)
The studio recording you see here is the complete work and features as a special guest R.J. Stewart as both musician and in the role of King Eochaidh. The musical ensemble consists of Classical Guitar, Vibraphone, Cello, Viola, Bass Clarinet, Armenian Duduk, Psaltery, and soundscapes created by nature and electronics. Both CD and and digital downloads are available.
This work can be thought of as a radio play or a guided musical meditation with music celebrating the magical text by Fiona Macleod. It is written to be listen through from beginning to end, like a film.
Below are videos of the project with the original cast in Glastonbury, a music video and a behind the scenes at a recording session: